The UR Top 10 Sasquatch 2008 Shows

Oh yeah.  Sasquatch.  We had great weather this year for the three day all you can eat buffet of alt music (its not really all indie, you know).

Here are our top ten shows:

1.  ghostland observatory.  what can we say, they stole the festival again this year.  incroible!

2.  the cure.  because they are the cure.

3.  david bazan.  kelly went solo to this one, but it was unbelievable.  he played a couple of headphones songs….i love him.

4.  modest mouse.  jamie says this was the best, especially up close.

5.  stephen malkmus.  he was ripping up the wookie stage like it wadn’t ain’t no thang.  go laurelhurst!

6.  the breeders.  because kim deal rocks.  and i thought she and kelly were really funny and cute.

7.  crudo.  who knew that mike patton was still around?  and that butterscotch beat box woman was amazing.

8.  beirut.  so good, so good.

9.  rem.  i had no idea that michael stipe was actually not a dick.

10.  flight of the conchords.  too many mother uckers ucking with my sheet.

‘Tis the Festival Season

In addition to our very own 3900′ Festival, the Union Records is gearing up for the summer…and music festival season.

We recently got word that our very favorite young singer songwriter Nick Caceres will be featured on the PDX POP compilation.  Wtg, Nick!  If you haven’t checked this kid out, do so!  He’s Portland’s next Colin Meloy.

We also have been hearing murmurs about MFNW….and Bumbershoot (where our fabulous headliner Ian Moore will also be playing).

But first on the menu is Sasquatch, and our yearly pilgrimage to George, Washington.  This year we will be trying out the VIP camping section, so be sure to check back in June for a full report.

The End of No Depression

Thanks to Mike D, we learned last night that No Depression is calling it quits.

Here’s a message we found on their website:

“As we announced in this space a couple months ago, our May-June issue will be the final print edition of No Depression magazine.”

This follows on  the heels of the farewell from Harp Magazine.  Here is more about that:

“Monday, March 17, 2008 – Harp Magazine, which started as a roots/Americana magazine, is closing its doors.

In an email sent last week, editor Scott Crawford wrote, “It’s with a really heavy heart that I even have to write this. As many of you know, our cash flow had slowed recently. Due to various factors, including the current newsstand magazine slump, the majority shareholders of Guthrie Inc. Harp’s parent company, have decided to declare Chapter 7 bankruptcy.” (Country Standard Time)

The internet takes the blame on this one, as Magazine Love reports “Many media people expect more magazine closures as the web drains off advertisers and readers. Unlike TV, newspapers and radio, magazines won’t see much of the record political spending expected this year, and continued softness in the economy will hurt a number of categories.”

The only question is whether this trend will ripple its way all the way to the top.

In the music industry, this is part of a trend of the www taking down the establishment.  iTunes and digital downloads has crushed the traditional method of selling cds, creating closures of long standing record shops (Ozone and NW Music Millen. in Portland, for example).

I also can remember a not too distant time when folks thought books would go the same route after a year’s slump in sales and the closures of bookstores.

Like all things, I think a shake up in the economy in the US is inevitable.  And there are more, larger big scaries on the horizon as the boomers begin to say so long to labor force.  A shortage in the labor force means that we may be real, real glad that we consolidated media.

We’ll keep monitoring this issue and continue to report!

Adding to the Roster…Rumours and Home-Truths

Yes, its true, we are looking at acquiring some new bands to our roster.

However, as it is a long and lengthy process, we are no longer accepting submissions.

What is the process you may wonder?

1.  Gatekeeper-One of us looks at a submission and sees if it passes the basics…ie, is it alt or mainstream, does the band have a good track record of experience, do they seem to fit with in our DIT ethic (do it together), and finally is their music listenable.

2.  Beginning of panel discussions-We all look at the submission individually and spend some time pondering it.  We may share a brief word about the acts.  We also get in touch with acts that we are really interested in to suss them out.

3.  Go see them live-This is pretty important to get a good feel for an act.

4.  More panel discussions-We talk about our “findings” thus far.

5.  If we are going to consider making an offer, this is where we sit down with a band and discuss.  We provide our boilerplate contract for them to look over.  That helps make negotiations more tangible.

Its not rocket science, but a process really does help keep everyone objective.

New Bands We Like

massy Massy Ferguson from Seattle, WA.

Sounds like WhiskeyTown & Wilco.

What We’re Listening to This Week

hot chip Hot Chip

seawolf Sea Wolf

kublakai Kublakai